About Me

Profile

Sidney Osioh is known for his exploration of memory, cultural values, and the human figure as an embodiment of family and traditional teachings. His work is deeply contextual, reflecting a continuous dialogue between identity, heritage, and moral consciousness. Employing the technique of using a part to represent the whole, Osioh brings complexity and fluidity to his compositions, creating visual connections between humanity and its indigenous roots. He began his artistic journey at Ogwashi-Uku Polytechnic, where he obtained a National Diploma, and later proceeded to Auchi Polytechnic for a Higher National
Diploma in Fine Art. Following his academic studies, he undertook an internship under the tutelage of Mr. Mike Ikobi, gaining exposure to stained glass techniques and material experimentation.

Osioh first came into public recognition as one of the exhibiting artists in the inaugural Next of Kin Art Exhibition organized by Thought Pyramid Art Centre, Lagos. Since then, he has exhibited widely on national and international platforms.

In his nearly decade-long career, Osioh has worked across abstract, stylized, and representational modes, and more recently, in a pop surrealist style. His technical dexterity and ability to merge form with narrative remain evident in his ongoing journey of investigation and discovery. His works have featured
in major exhibitions, art fairs, and auctions in Nigeria, France, London, and the United States, including Art X Lagos (2018), SOGAL Auction (2019), Artcurial (2022), Bonhams (2022), Art Heritage Auction (2023), and Hampel Fine Art Auction (2023). His debut solo exhibition, Queering Impossibilities (Man,
Unbox Your Soul), was held at Moeshen Art Gallery, Abuja, Nigeria, in 2023.

Artist Statement

My work is a dialogue between tradition and modernity, rooted in the textures of everyday Nigerian life. Through bold colors and layered forms, I explore the tension between memory and transformation, asking viewers to reconsider the spaces they inhabit and the identities they carry. Each piece is both a personal reflection and a communal offering — a way of preserving stories while opening them to new interpretations.